Is 9 LUFS good?
Regarding loudness, A good setting would be from -9 to -13 LUFS with the dynamic range reading on LEVELS not exceeding 8DR. With over 100 million people using Spotify, it's crucial to make sure your music is heard in its best light. Consider this, the loudest your music will ever be heard on Spotify is about -14 LUFS.
Is 10 LUFS too loud?
You might prefer the kind of compression/limiting found in tracks that are mastered louder, like a rock or pop track with an integrated loudness of -10 LUFS, or a hip hop track with an integrated loudness of -8 LUFS. If so, you're unlikely to be happy with the sound of your tracks when mastered to -14 LUFS integrated.
What is considered loud in LUFS?
The Audio Engineering Society recommends a standard loudness between -16 LUFS and -20 LUFS. However, individual platforms have their own preferences. For example, Apple Podcasts adjusts podcast volumes to -16 LUFS for consistency, while Spotify sets a maximum limit of -14 LUFS. Confused yet?
Is 11 LUFS loud enough?
The limit is -14 LUFS for Spotify, according to their website. But an interesting point is that Spotify also has a “loud” preference which normalizes to -11 LUFS. They put a limiter to make your track louder, which means they change your dynamics and tone.
Is 12 LUFS good for Spotify?
Spotify uses a default reference level of -14 LUFS, but has additional user selectable levels of -23 and -11 LUFS. Normalization is enabled by default on new installations, and quieter songs will be turned up only as much as peak levels allow for the -23 and -14 LUFS settings.
Is 16 LUFS a good master?
Generally, most of the streaming services agree on the streaming level of around -14 LUFS int. However, Apple Music sets this limit a bit lower, at around -16 LUFS int. Some tutorials suggest that your song should match this limit and be at the exact level of the streaming loudness, but that's not true.
What is normal LUFS?
All this said, if you mix with your monitors a properly calibrated reference level and with a proper gain structure, your mix should (give or take) turn out around the "standard" reference loudness, in the ballpark of -14, -13 LUFS.
What is 14 LUFS in dB?
To put it simply, 1 LU = 1 dB. So if your master has a reading of -12.3 LUFS int (integrated), and your target is -14 LUFS int, then you would need to reduce the gain of the master by the difference, so 1.7dB (-12.3 + -1.7 = -14).
How many LUFS is Spotify?
We adjust tracks to -14 dB LUFS, according to the ITU 1770 (International Telecommunication Union) standard. We normalize an entire album at the same time, so gain compensation doesn't change between tracks. This means the softer tracks are as soft as you intend them to be.
Is 6 LUFS loud?
I was analyzing loudness of a few tracks recently. Exceptionally loud tracks at -6 LUFS were always going above 0 dBFS true peak, and it's pretty much, like 5 or 6. If you ask me, that's too much of a sacrifice for sound for getting something loud.
Is LUFS too loud for Spotify?
But even for new tracks, a lot of people still master at much higher LUFS than -14 for various reasons. If you listen to loud tracks with normalisation on, Spotify will reduce their volume until they reach -14 LUFS. Because they have very limited dynamics they will sound relatively quiet.
How loud is LUFS in dB?
1 LUFS can be understood as 1 dB in the AES-17 scaling.
Is lower LUFS louder?
Two pieces of music or audio at the same LUFS level should have the same perceived loudness. This is why it's easy for you to shuffle your entire music library without having to make significant manual adjustments to your volume levels.
Is LUFS OK for streaming?
The best mastering level for streaming is an integrated -14 LUFS, as it best fits the loudness normalization settings of the majority of streaming services.
What is a good target LUFS?
If you are not sure what target loudness you should be aiming for, when mastering a song for streaming services, go for an integrated -14 LUFS or above. Even if you are louder than -14 LUFS, do not worry since your song will get turned down automatically.
Is True Peak okay?
They measure the same thing: the maximum level your signal reaches. Using either is fine, but if you have a choice technically True Peak is more accurate.
Is loudness penalty accurate?
We deliberately chose the name "Loudness Penalty" to be a little provocative, but it is accurate. The louder your music is, the more it will be turned down by online streaming services, to avoid "blasting" listeners with unexpected changes in loudness.
How do I increase my LUFS?
To raise the LUFS value you need to increase the average level. Pushing the fader up will do that... but will also raise the peak level, resulting in clipped transient peaks. Upwards compression will also do it without raising the peak level (much).
What is 16 LUFS?
LKFS stands for Loudness K-weighted relative to Full Scale, but both measurements mean the same thing. Apple Podcasts recommends setting your podcast loudness setting to -16 LUFS and Spotify Podcasts recommends -14 LUFS. Most podcasts use Apple's -16 LUFS standard.
What dB should I master at?
Most mastering engineers recommend that the digital peak levels in your mix should stay below -9 dB FS or -6 dB FS. This will form the headroom; you should leave it for the mastering engineer to work with your song.
How much dB is good for mastering?
How Much dB for Mastering? The short answer is -12 LUFS to -15 LUFS or -6 dB on a peak meter. This should cover you for most popular streaming services.
What is the true peak for mastering?
If mastering for TV or broadcast, you'll want to hit no more than -14LUFS for fear of distortion at the broadcast end. It's also probably wise to aim for an output RMS/True Peak of -1.0db since you're not aiming for the loudest sound, but the clearest.
What is 0 dB in LUFS?
LUFS simply stands for 'Loudness Units Full Scale'.
The measurement for LUFS is 'Loudness Units', and the 'full scale' refers to the comparison to 0dB being the loudest point along that spectrum before clipping.
What is the best LUFS for radio?
LUFS are regulated for broadcast media in most of the world, typically down at -24 or -23LUFS; TV and radio should sound about the same volume even if you switch stations–and importantly, advertisements won't blast your ears out to make sure you hear them.
What is true peak?
True Peak is a metric used to determine the actual maximum level of an audio signal. It is commonly used in recording studios and in the professional music sector to ensure that audio signals do not become too loud when played back on different playback devices, thereby causing distortion.
Is 6 LUFS good?
With CDs, you can master as loud as you want, but I think past -9 LUFS you've lost most of the dynamic range. For club tracks, you might want to master to an even higher average level, like -6 LUFS, because there's no standard level for clubs like there is for broadcasters or music delivery systems such as YouTube.
Can a mix be too loud?
Monitoring Too Loud
But consistently mixing at high output levels can cause hearing damage. Science suggests the ideal sound pressure level (SPL) for mixing music in a home-studio-sized space is between 73 and 76 dB because our hearing is the most linear at that volume.
How many LUFS do you need for Netflix?
All audio on Netflix is aligned to precisely -27LKFS or LUFS for dialogue. So if you're delivering within spec, Netflix, won't turn it up or down by more than 2dB. This ensures that all titles on Netflix play at a similar loudness level.
What is the true peak for Spotify?
They also shouldn't be much quieter than −14 LUFS. You should leave at least 1 dB of headroom. Though Spotify recommends mastering louder tracks to −2 dB true peak.
What is a good loudness penalty?
How can you avoid the loudness penalty? There are no hard and fast rules for where your music should sit on the LUFS meter. We know Spotify will normalize it to -14 dB LUFS, but that doesn't mean you should mix to that level. Certain engineers have said somewhere around -8 or -9 dB LUFS is a safe place to be.
What is 10 LUFS in dB?
Despite the different names, LF KS and LUFS are identical. Both terms describe the same phenomenon and just like LKFS, one unit of LUFS is equal to one dB.
Is dB and LUFS the same?
Despite the difference in names, these two are exactly alike as they describe the same phenomenon of measuring loudness. LUFS is a newer standard for measuring loudness and is considered as the most accurate. In practical applications, LUs are equal to decibels.
Do short term LUFS matter?
Short-term level
Again, specific short-term levels aren't especially important, but if your maximum short-term loudness is less than about 6 LU below your true peak level, that could again be an indication that you're pushing things further than you need to.
Does YouTube use LUFS?
Specifically, YouTube Music will only reduce the loudness of your music if it exceeds -7 LUFS, instead of the much more widely-known level of -14 LUFS used by Spotify, TIDAL and many other services.
Is 9 LUFS good?
Regarding loudness, A good setting would be from -9 to -13 LUFS with the dynamic range reading on LEVELS not exceeding 8DR. With over 100 million people using Spotify, it's crucial to make sure your music is heard in its best light. Consider this, the loudest your music will ever be heard on Spotify is about -14 LUFS.
How many LUFS should a movie be?
Something similar can be said about movies shown in theaters. After lawsuits made due to hearing loss present a significant financial loss to movie theaters, it was decided that no movie can be shown with an integrated loudness greater than -27 LUFS and/or with any peaks greater than -2dBTP.
Is LUFS the same as RMS?
LUFS are similar to RMS in that they take average loudness into account. However, LUFS also factor in perceived loudness when measuring audio loudness. Perceived loudness is based on the way that humans naturally hear sound.
How loud should true peak be?
True Peak (TP) is the maximum level that a signal reaches. So in this case, it is the loudest moment in your track. For streaming services, it is recommended to keep your track's TP at -1dBFS, which means 1dB below the point at which your track would reach the Full Scale point and then clip or distort.
Should I use True Peak when mastering?
When mastering songs, be sure to measure their peak level using a true peak meter. Adjust your limiter's ceiling/output to ensure that your true peak meter detects peaks no higher than -1 dBTP. This gives you the best chance of producing masters which will not clip when played on consumer playback systems.
Is 11 LUFS loud enough?
The limit is -14 LUFS for Spotify, according to their website. But an interesting point is that Spotify also has a “loud” preference which normalizes to -11 LUFS. They put a limiter to make your track louder, which means they change your dynamics and tone.
Is 1 dB noticeable?
That means variations of up to 1 dB ought to be pretty much imperceptible, while those at or beyond 1 dB are noticeable. However, I've sometimes heard people claim that even a 3 dB volume change is only just noticeable. Based on my experience with sound masking systems, I actually find it rather dramatic.
Is 2 dB difference noticeable?
When two sound levels differ by 10 decibels or more, when combined, the lesser level can be ignored. A sound needs to increase by at least 3 decibels for it to be noticeable.
Is 10 LUFS too loud?
You might prefer the kind of compression/limiting found in tracks that are mastered louder, like a rock or pop track with an integrated loudness of -10 LUFS, or a hip hop track with an integrated loudness of -8 LUFS. If so, you're unlikely to be happy with the sound of your tracks when mastered to -14 LUFS integrated.
What is 14 LUFS in dB?
To put it simply, 1 LU = 1 dB. So if your master has a reading of -12.3 LUFS int (integrated), and your target is -14 LUFS int, then you would need to reduce the gain of the master by the difference, so 1.7dB (-12.3 + -1.7 = -14).
What is considered loud in LUFS?
The Audio Engineering Society recommends a standard loudness between -16 LUFS and -20 LUFS. However, individual platforms have their own preferences. For example, Apple Podcasts adjusts podcast volumes to -16 LUFS for consistency, while Spotify sets a maximum limit of -14 LUFS. Confused yet?
Is 16 LUFS a good master?
Generally, most of the streaming services agree on the streaming level of around -14 LUFS int. However, Apple Music sets this limit a bit lower, at around -16 LUFS int. Some tutorials suggest that your song should match this limit and be at the exact level of the streaming loudness, but that's not true.
What is normal LUFS?
All this said, if you mix with your monitors a properly calibrated reference level and with a proper gain structure, your mix should (give or take) turn out around the "standard" reference loudness, in the ballpark of -14, -13 LUFS.
Is lower LUFS louder?
Two pieces of music or audio at the same LUFS level should have the same perceived loudness. This is why it's easy for you to shuffle your entire music library without having to make significant manual adjustments to your volume levels.
What is a good LUFS level?
Should you master to 0 dB?
What is normal LUFS?
Is 20 dB good?
What is a good target LUFS?
Should master be at 0 dB?
What is 0 dB in LUFS?